With the base being sorted, I moved my vehicle forward by implementing the other shape elements that created the overall silhouette. I continuously took sections of photographs, manipulated them then drew over the to get them to blend the way I wanted, moving all over the piece to keep it cohesive. Some portions required me to just draw directly onto the vehicle rather than manipulate a photo (for example the triangular windows) just because they were a bit too specific to find a photograph that fit the shape and perspective I wanted. I was very focused when doing this to make the drawing blend well with the rest of the vehicle and didn’t look too outlandish.
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